Renaissance Artists Lorenzo Ghiberti - 795 Words

This paper argues whether or not Lorenzo Ghiberti is a true renaissance artist. Lorenzo di Cione Ghiberti, the son of a goldsmith from Florence, Italy, would become one of the most influential artists of the early Renaissance. As a child prodigy, he received his first commission at the age of 23. Ghiberti multi-tasked a bunch of his work including the doors of the Florence Baptistery and many statues. He was a student of humanism and incorporated much of its philosophy into his work. Ghiberti’s mother married Cione Ghiberti in 1370, and they lived in Pelago near Florence; at some point later she went to Florence and lived there as the common-law wife of a goldsmith named Bartolo di Michele. They married in 1406 after Cione†¦show more content†¦He created designs for the stained-glass windows in the cathedral. Ghiberti regularly served as an architectural consultant to the cathedral building supervisors, Ghiberti claimed that he even collaborated with the Brunelleschi on the construction of the dome, but this was very unlikely. For Ghiberti his teens and ‘20s were years of flourishing expansion. He had completed a great deal of modelling and casting of the panels for the Baptistery doors by 1413, and he was in control of a smoothly functioning workshop with many assistants. In 1417 Ghiberti was asked to make two bronze reliefs for the baptismal font of the cathedral in Siena, he was so busy that he finished them, under pressure from the Sienese authorities 10 years later. When Pope Martin V was in Florence in 1419, Ghiberti was called on as a goldsmith to fashion a morse and mitre or the pontiff. (Unfortunately these pieces, like other examples of Ghiberti’s art in rare stones and precious metals, have disappeared.) During these years, Ghiberti found himself a wife; Marsilia, the 16 year old daughter of Bartolomeo di Luca, a wool carder. She soon bore him two sons: Tommaso was born in 1417 and Vittorio the next year. His sons later joined Ghiberti in his business, and Vittorio continued it’s operation after his father’s death. When Ghiberti came upon the age 45, he completed the first set of doors. They are the effort ofShow MoreRelatedThe Second Set of Doors at the Baptistery1277 Words   |  6 Pagestime, a competition was held to find the artist who could create exactly what the guild was looking for in this work of art. Seven of the best sculptors in Tuscany were given one year to complete a panel showing the Abraham’s sacrifice of Isaac. However, the real competition was between Filippo Brunelleschi, the future architect of the Cathedral’s dome, and Lorenzo Ghiberti. Opposing stories state that the Calimala guild asked Brunelleschi and Ghiberti to create the p anels together. 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